CREATIVITY AND TRANSLATOR TRAINING: INVESTIGATING WORDPLAYS IN AMERICAN SITCOM 2 BROKE GIRLS SUBTITLED INTO BRAZILIAN PORTUGUESE

Authors

  • Adauri Brezolin PhD in English Language, Independent Researcher, Brazil
  • Tatiane de Paula Bóvis Spinetti Undergraduate in Translation, Methodist University of São Paulo, Brazil

DOI:

https://doi.org/10.46827/ejlll.v5i2.272

Keywords:

wordplays, translation, subtitling, creativity, translator training

Abstract

Translating wordplays has been considered a challenging task and an appropriate exercise for building (meta)linguistic awareness in translation students. By comparing wordplays from American sitcom 2 Broke Girls translated from American English into Brazilian Portuguese, we discuss, in this article, the main mechanisms used to generate and translate wordplays. For solutions considered ineffective in the target language, suggestions are offered emphasizing the creative and pragmatic aspects surrounding this linguistic event. Our results show that it is possible to encourage creativity among translation students if suitable techniques, such as free association, are adopted in the classroom. Our discussion can be a useful didactic tool for reflecting on theoretical and practical aspects related to wordplays, (meta)linguistic awareness and creativity.

 

Author Biographies

  • Adauri Brezolin, PhD in English Language, Independent Researcher, Brazil
    Adauri Brezolin holds a doctoral degree in English Language from the University of São Paulo, Brazil. He taught in several translation undergraduate programs for more than 30 years. He is the co-author of the following dictionaries: Pequeno Dicionário de Expressões Idiomáticas e Coloquialismos (Fiuza, 2001), Whatchamacallit? Novo dicionário português-inglês de idiomatismos e coloquialismos (Disal, 2006), Happy Couples - dicionário de colocações lexicais adjetivas (Disal, 2010) e The word is the thing: dicionário português-inglês de fórmulas situacionais, frases feitas e provérbios (Lexikos, 2019). He has also published articles on the translation of wordplays, and other subjects (orcid.org/0000-0002-4990-0224). His research interests are the teaching of translation, idiomaticity, conventionality, terminology, and Corpus Linguistics. He is also a freelance translator.
  • Tatiane de Paula Bóvis Spinetti, Undergraduate in Translation, Methodist University of São Paulo, Brazil
    Tatiane de Paula Bóvis Spinetti earned a B. A. in Translation from the Methodist University of São Paulo, Brazil, in 2020. She works as a freelance translator.

References

Al-Ababneh M, 2020. The concept of creativity: definitions and theories. International Journal of Tourism & Hotel Business Management, 2(1): 245-24

Arnaud P J L, Maniez F, Renner V, 2015. Non-Canonical Proverbial Occurrences and Wordplay: A Corpus Investigation and an Enquiry into Readers’ Perception of Humour and Cleverness, Berlin/Boston: De Gruyter, pp 135-159

Ballard M, 1996. Wordplay and the Didactics of Translation. The Translator 2:2: 333-346

Brezolin A, Da Silva Medeiros F, 2021. Bad words in The Good Place: analyzing the euphemistic function of wordplays in subtitling and dubbing – a case of English and Portuguese language pair. European Journal of Literature, Language and Linguistics Studies 5(1): 14-31

Brezolin A, 2020. Corpus Lift? The use of wordplays in translator training classes. Skopos. Revista Internacional de Traducción e Interpretación 11: 211-236

Delabastita D, 1996 Introduction, Wordplay and Translation: Special Issue of ‘The Translator’, Manchester, UK, pp 127-139

Diaz Cintas J, 2010. Subtitling, Amsterdam/Philadelphia: John Benjamins Publishing Company, pp 344-349

Giordadze M, 2014. Linguistic features of pun, its typology and classification. European Scientific Journal (Special Edition) 2: 271-275

Gottlieb H, 1997. You Got the Picture? On the Polysemiotics of Subtitling Wordplay, Manchester: St. Jerome Publishing, pp 207-232

Juntunen K A, 2019. I Look Like a North Pole – Dancer. Translation of Wordplay in the Television Series 2 Broke Girls. Master’s Thesis. University of Eastern Finland, Finland

Kussmaul P, 1991. Creativity in the Translation Process: Empirical Approaches. Amsterdam: Rodopi, pp 91-101

MacArthur T, 1992. The Oxford Companion to the English Language. Oxford: Oxford University Press

Moon R, 1998. Fixed Expressions and Idioms in English. Corpus Lexicography. Oxford: Clarendon Press

O'Sullivan C, 2013. Creativity. Amsterdam/Philadelphia: John Benjamins, pp 42-46

Remael A, 2010. Audiovisual Translation. Amsterdam/Philadelphia: John Benjamins Publishing Company, pp 12-17

Renner V, 2015. Lexical Blending as Wordplay, Berlin/Boston: De Gruyter, pp 119-133

Silva N R B, 2019. A tradução de jogos de palavras em um corpus literário: uma revisão do modelo de Delabastita com o auxílio da linguística de corpus. Ilha do Desterro 72(2): 347-378

Spinetti T de P B, 2020. Análise dos jogos de palavras e de sua tradução para o português brasileiro nas legendas da primeira temporada da série 2 Broke Girls. Bachelor’s Thesis. Universidade Metodista de São Paulo, Brazil

Tagnin S E O, 2005. O humor como quebra da convencionalidade. Revista Brasileira de Linguística Aplicada 5(1): 247-257

Tagnin S E O, 2013. O jeito que a gente diz: combinações consagradas em inglês e português. São Paulo: Disal

Broke Girls [Series]. (Season 1). Directed by Thomas Kail. Produced by Michael Patrick King, Whitney Cummings, Michelle Nader, and Liz Astrof. Brazil: Warner Home Video, 2012. 3 DVD (513 min.), color

Veisbergs A, 1997. The contextual use of idioms, wordplay, and translation, Manchester: St. Jerome Publishing, pp 155-176

Zirker A, Winter-Froemel E, 2015. Wordplay and Its Interfaces in Speaker-Hearer Interaction: An Introduction, Berlin/Boston: De Gruyter, pp 1-22

Downloads

Published

2021-08-11

Issue

Section

Articles