INTERTEXTUALITY ACROSS TIME: FROM ARCHETYPES TO POST-STRUCTURALIST THEORY

Authors

  • Samia Moustaghfir Doctor of Education, Arts and Pedagogical Engineering Research Laboratory, Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra, Morocco
  • Sakina El Khattabi PhD Student, Arts and Pedagogical Engineering Research Laboratory, Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra, Morocco
  • Abdelouahed Bouzar Doctor in English Studies and Literature, Sidi Mohammed Ben Abdellah University, es, Morocco https://orcid.org/0000-0002-6918-7817

DOI:

https://doi.org/10.46827/ejlll.v10i1.687

Keywords:

intertextuality, archetypal criticism, dialogism, literary networks, poststructuralism, cultural memory, digital media

Abstract

Intertextuality, since its formal articulation in the 1960s, has become a foundational framework for analyzing literature and culture. This article traces its evolution from implicit practices in ancient and classical texts, through archetypal motifs, mythic repetition, and dialogic engagement, to contemporary post-structuralist theory. Integrating perspectives from archetypal criticism, Bakhtinian dialogism, semiotics, and poststructuralist thought, it demonstrates intertextuality’s dual function as a literary device and analytical lens. Close readings of texts such as Ulysses and Wide Sargasso Sea illustrate how intertextual strategies reshape interpretation, mediate cultural memory, and foster readerly engagement. The study further explores intertextuality’s extension into digital media and interdisciplinary contexts, highlighting its role in bridging historical, cultural, and technological registers. By situating texts within dynamic networks of influence and dialogue, this work underscores intertextuality as both a conceptual and methodological tool for understanding literature’s continuity, transformation, and socio-cultural resonance. 

Author Biographies

  • Samia Moustaghfir, Doctor of Education, Arts and Pedagogical Engineering Research Laboratory, Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra, Morocco

    Samia Moustaghfir is a Doctor of Education, English Department, Literature, Arts, and Pedagogical Engineering Laboratory, Ibn Tofail University, Kenitra, Morocco.

  • Sakina El Khattabi, PhD Student, Arts and Pedagogical Engineering Research Laboratory, Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra, Morocco

    Sakina Elkhattabi is a doctoral student, English Department, Literature, Arts, and Pedagogical Engineering Laboratory, Ibn Tofail University, Kenitra, Morocco.

  • Abdelouahed Bouzar, Doctor in English Studies and Literature, Sidi Mohammed Ben Abdellah University, es, Morocco https://orcid.org/0000-0002-6918-7817

    Abdelouahed Bouzar is a Doctor in English Studies and Literature, Sidi Mohammed Ben Abdellah University, Fes, Morocco.

References

Barthes, R. (1977). Image-music-text (S. Heath, Trans.). Hill and Wang. (Original work published 1967). Retrieved from https://monoskop.org/images/0/0a/Barthes_Roland_Image-Music-Text.pdf

Belibou, A.-A. (2024). Neo-intertextuality: Fan fiction as a contemporary phenomenon. Journal of Romanian Literary Studies, 36, 810–818. Retrieved from https://asociatia-alpha.ro/Jrls/036-2024/Jrls-036-104.pdf

Baron, S. (2019). The birth of intertextuality: The riddle of creativity. Routledge. Retrieved from https://www.routledge.com/The-Birth-of-Intertextuality-The-Riddle-of-Creativity/Baron/p/book/9781032086323

Busse, K. (2017). Framing fan fiction: Literary and social practices in fan fiction communities. University of Iowa Press. https://doi.org/10.2307/j.ctt20q22s2

Busse, K., & Hellekson, K. (2006). Introduction: Work in progress. In K. Hellekson & K. Busse (Eds.), Fan fiction and fan communities in the age of the Internet (pp. 5–32). McFarland & Company. Retrieved from https://www.researchgate.net/profile/Catherine-Driscoll-5/publication/322101220_One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance/links/5a4510670f7e9ba868a92291/One-True-Pairing-The-Romance-of-Pornography-and-the-Pornography-of-Romance.pdf

Coppa, F. (2006). Writing bodies in space: Media Fan Fiction as Theatrical Performance. In K. Hellekson & K. Busse (Eds.), Fan fiction and fan communities in the age of the Internet (pp. 41–60). McFarland & Company. Retrieved from https://www.researchgate.net/profile/Catherine-Driscoll-5/publication/322101220_One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance/links/5a4510670f7e9ba868a92291/One-True-Pairing-The-Romance-of-Pornography-and-the-Pornography-of-Romance.pdf

Tongson, K. (2008). Fan Fiction and Fan Communities in the Age of the Internet. Popular Communication. https://doi.org/10.1080/15405700802240451

Derecho, A. (2006). Archonic literature: A definition, a history, and several theories of fan fiction. In K. Hellekson & K. Busse (Eds.), Fan fiction and fan communities in the age of the Internet (pp. 61–78). McFarland & Company. Retrieved from https://www.researchgate.net/profile/Catherine-Driscoll-5/publication/322101220_One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance/links/5a4510670f7e9ba868a92291/One-True-Pairing-The-Romance-of-Pornography-and-the-Pornography-of-Romance.pdf

Goldmann, J. E. (2022). Fan fiction genres: Gender, sexuality, relationships and family in the fandoms “Star Trek” and “Supernatural” (Vol. 29). Transcript. https://doi.org/10.14361/9783839463147

Hartman, D. K. (1992). Intertextuality and reading: The text, the reader, the author, and the context. Linguistics and Education, 4(3–4), 295–311. https://doi.org/10.1016/0898-5898(92)90005-H

Held, E. (2023, August 29). From friends to lovers: The fanfic-to-romance pipeline goes mainstream. Vulture. Retrieved from https://www.vulture.com/article/fanfic-romance-reylo-publishing-trend.html

Kaplan, D. (2006). Construction of fan fiction character through narrative. In K. Hellekson & K. Busse (Eds.), Fan fiction and fan communities in the age of the Internet (pp. 136–147). McFarland & Company. Retrieved from https://www.researchgate.net/profile/Catherine-Driscoll-5/publication/322101220_One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance/links/5a4510670f7e9ba868a92291/One-True-Pairing-The-Romance-of-Pornography-and-the-Pornography-of-Romance.pdf

Kristeva, J. (1980). Desire in language: A semiotic approach to literature and art (T. Gora, A. Jardine, & L. S. Roudiez, Trans.). Columbia University Press. (Original work published 1966). Retrieved from https://books.google.ro/books/about/Desire_in_Language.html?id=d2BaPShWHR8C&redir_esc=y

Kuang, X. (2023). Critique littéraire archétypale et intertextualité. Philosophical Thought, 9, 87–98. https://doi.org/10.25136/2409-8728.2023.9.43571

Leavenworth, M. L., & Isaksson, M. (2013). Fanged fan fiction: Variations on Twilight, True Blood and the Vampire Diaries. McFarland. Retrieved from https://www.overdrive.com/media/1356401/fanged-fan-fiction

Morgan, T. (1985). Intertextuality and semiotic analysis. Routledge. Retrieved from https://philpapers.org/rec/MORITA-4

Rhys, J. (1966). Wide Sargasso Sea. Andre Deutsch.

Downloads

Published

2026-03-02

Issue

Section

Articles