"THE CANOPY IS HER HOME" GENDERED SPACE IN AMERICAN INDIAN INTERTRIBAL GATHERINGS

Authors

  • Guillermo Bartelt California State University, Northridge, USA

DOI:

https://doi.org/10.46827/ejsss.v7i2.1208

Keywords:

ethnography of space, temporary social stratification, American Indian women

Abstract

This ethnographic report of American Indian dance events, called powwows, focuses on the process of gender difference inscribing spatial difference. Among the participants and attendees, middle-aged native women, implicitly charged with the transmission of values and ideologies, wield the power to control the process of cultural production and the generation of signs and symbols, which find expression through the management of the spectator space under a canopy.

 

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Author Biography

  • Guillermo Bartelt, California State University, Northridge, USA
    Guillermo Bartelt is a sociolinguist who has focused his ethnographic and linguistic research on American Indian communities.

References

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Bourdieu, Pierre. 1987. Distinction: A Social Critique of the Judgement of Taste. Cambridge: Harvard University Press.

Browner, Tara. 2000. “Making and Singing Powwow Songs: Text, Form, and the Significance of Culture-Based Analysis.” Ethnomusicology 44: 214-233.

Cowger, Thomas. 2019. In The Encyclopedia of Oklahoma History and Culture.

https://www.okhistory.org/publications/enc/entry.php?entry=PA010

Goffman, Erving. 1979. Gender Advertisements. London: Palgrave.

Howard, James. 1955. “Pan Indian Culture of Oklahoma.” Scientific Monthly 81: 215-20.

Raffles, Hugh. 2002. In Amazonia. A Natural History. Princeton: Princeton University Press.

Young, Gloria. 1981. Powwow Power: Perspectives on Historic and Contemporary Intertribalism. PhD diss, Indiana University. Ann Arbor: University Microfilms International.

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Published

2022-01-12

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Articles