POSTHUMANIST INTERACTION AND CERAMIC ART LANGUAGE
DOI:
https://doi.org/10.46827/ejlll.v9i1.613Keywords:
posthumanism, ceramic art, algorithmic culture, AI, coexistence, digital creativityAbstract
This study aims to examine how posthumanist thought redefines the concept of creativity and its impact on ceramic art. Conventional notions of creativity position the artist as a central and singular subject; however, this approach has proven insufficient in material- and process-oriented disciplines such as ceramics. The research problem is based on the premise that considering material and technology as merely passive elements in the creative process is an inadequate perspective within contemporary production practices. The study employs a qualitative analysis method, conducting a literature review on the fundamental principles of posthumanist thought and the concept of creativity, followed by an examination of creative processes in ceramic art where humans, materials, and technology coexist (coexistence). The findings indicate that with the increasing role of AI-driven algorithms and robotic systems in artistic production, the creative process in ceramic art has shifted from a human-centered approach to a multi-layered and relational production model. This transformation repositions material and technology as active, creative agents, fostering the development of new aesthetic approaches and production techniques.
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